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Check out this Guardian interview with The Knife, getting all politisch
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There's a narrative that culture or music should not have to do with politics. We are learned all the time to not think, and that of course comes through in many cultural workers. But I believe that it's in the music where you can really try out political alternatives and utopias. I have many friends who play around with these issues in their music – Planningtorock, for example, is doing that in really exciting ways – but the kind of vocabulary used around these artists is that it's pretentious or the production is not good enough. And that makes me think more about who is writing those things. (Olof Dreijer)or how about:
We are constructed to like certain things... We've been teaching a bit at this summer camp for teenage girls who want to make electronic music, and there we often talk about this idea of quality in music and what informs our ideas of what is supposed to be good and bad music. You know that music history is written by privileged white men, so we can ask ourselves how important it is to repeat their ideas. (Olof Dreijer)
Read the full interview HERE (ignoring the snarky, reactionary commentary from the interviewer), and get excited for Shaking the Habitual on April 8th.
More importantly though, this fabulous essay from n+1 magazine (Jan 2012), by Richard Beck, wryly styled as a 'review of Pitchfork' (he gives them 5.4 out of 10).
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More importantly though, this fabulous essay from n+1 magazine (Jan 2012), by Richard Beck, wryly styled as a 'review of Pitchfork' (he gives them 5.4 out of 10).
