10 Records of 2015: Beach House's Depression Cherry

Beach House remain the most inscrutable of bands: their music uncannily perfect but very difficult to write about. Nevertheless, listening to Depression Cherry as I rewatched Twin Peaks among the lonesome smokestacks and Grimm woodland kitsch of post-industrial Saxony (and after seeing Xiu Xiu perform their version of the soundtrack in Leipzig), I was affirmed in my belief that Beach House are one of the most properly ‘Lynchian’ of bands. It isn’t just that the talismanic title hook of the suggestively titled ‘Beyond Love’ is the distillation of every Julee Cruise performance in the TV show, nor that this moment always takes me back to the band’s quotation (back on Teen Dream) of the ‘Giant’ who appears in the middle of Cruise’s most pivotal cameo in the second season (probably the climactic moment of the whole series): ‘It is happening again. It is happening again.’

In pursuing the ‘Lynchian’ aspects of Beach House, I couldn’t help but return to the old cliché of ‘dream pop’, which I actually think is as good a route as any into Depression Cherry. We might ask what the term ‘dream pop’ actually means? Is it something to do with the indistinctness — the ‘soft focus’ — of the various elements (an imperfect visual analogy), or rather with the obtuseness of the lyrics? Does it concern a lullaby-like gentleness, mixed with some sort of surrealist dimension? As with the 4AD-style ’80s aesthetic that Beach House renovate, there is a particular dream logic at work here that relates to the way the voice inhabits and interacts with the rest of the track.